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    <loc>https://www.gildingstudio.com/gilding-an-historical-narrative</loc>
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    <lastmod>2024-03-15</lastmod>
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      <image:title>Gilding: an Historical Narrative - Traditional Water Gilding</image:title>
      <image:caption>The method of traditional water gilding has been traced back over 3500 years ago to ancient Meopotamia…</image:caption>
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      <image:title>Gilding: an Historical Narrative</image:title>
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    <loc>https://www.gildingstudio.com/photo-gallery</loc>
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    <lastmod>2022-05-22</lastmod>
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      <image:title>Photo Gallery - 23k Water Gilded Chair</image:title>
      <image:caption>Water gilded chair gilded in 23 kt gold leaf over yellow and red bole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606518361377-5VP67M4IS56LU28YFNZX/1EC320E0-D620-4646-A17E-02AB8A81444B.jpeg</image:loc>
      <image:title>Photo Gallery - 23k Water Gilded Chair</image:title>
      <image:caption>Water gilded chair gilded in 23 kt gold leaf over yellow and red bole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606090611309-VSODWRMK7ZKG1CS5MORL/DB63DF92-5B29-4EFB-96D8-ECF1C5C03518.jpeg</image:loc>
      <image:title>Photo Gallery - Water Gilded Corbel</image:title>
      <image:caption>This architectural corbel was traditionally water gilded in 23k Italian gold leaf over red and yellow clay bole and custom-mixed crackle gesso, burnished and toned with a heavy raw umber casein wash.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606086822104-FD11E96LCPYYNQQD8C1G/0109174D-26C9-458C-AFFF-30F4FD8CD5EA.jpeg</image:loc>
      <image:title>Photo Gallery - 23kt Gilded Side Table</image:title>
      <image:caption>This little table was custom oil gilded in 23k gold leaf for a private client. A solid, modern gild with no antiquing, distress, or rubbing, clearcoated with blonde dewaxed shellac and hand buffed with rottenstone which cuts the shine of the shellac.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Photo Gallery - 24k Gilded Metal Table</image:title>
      <image:caption>This wrought iron table was cleaned and primed with enamel and oil gilded in 24k gold leaf for a private client.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606087221907-VNSFXDRXOF324C9QUBHZ/89F26A75-18B7-4EFE-9DE0-ED973B7CE507.jpeg</image:loc>
      <image:title>Photo Gallery - Verre Églomisé Vanity</image:title>
      <image:caption>These two custom Vanities were clad in multiple shapes of verre églomisé (reverse gilded glass). Each section was independently gilded in 6k white gold leaf with a traditional weak gelatin size and hand abraded from the back of the glass to later reveal the black enamel paint applied to the reverse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606087742152-VYDV37ZN9RHDYFLSVW24/CAA07561-96A0-477F-AB6C-F68779A38BCC.jpeg</image:loc>
      <image:title>Photo Gallery - 6k White Gold Verre Églomisé Vanity</image:title>
      <image:caption>These two custom Vanities were clad in multiple shapes of verre églomisé (reverse gilded glass). Each section was independently gilded in 6k white gold leaf with a traditional weak gelatin size and hand abraded from the back of the glass to later reveal the black enamel paint applied to the reverse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606087782114-3H2YU7LQ5PLHS8MI1IX5/image-asset.jpeg</image:loc>
      <image:title>Photo Gallery - 6k White Gold Verre Églomisé</image:title>
      <image:caption>These two custom Vanities were clad in multiple shapes of verre églomisé (reverse gilded glass). Each section was independently gilded in 6k white gold leaf with a traditional weak gelatin size and hand abraded from the back of the glass to later reveal the black enamel paint applied to the reverse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606088171654-64ENADEPD4U8G0WIKQGC/D925AD5C-939F-4EFC-8F12-52444255B3E0.jpeg</image:loc>
      <image:title>Photo Gallery - 24k Gilded Hare Krishna Altar</image:title>
      <image:caption>This Hare Krishna altar was oil gilded in 24k gold leaf by Seattle gilder Charles Douglas. By design, only the highlights of the architectural elements were gilded for a sense of balance to this beautiful Sacred altar yet still requiring 1000 leaves of pure gold. Carved in India and measuring 12 feet high x 20 feet long, it can be viewed at the Vedic Cultural Center in Sammamish, WA.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606090059992-UM5FUZ06FEHMATAZXYTG/52CDCA50-F66D-4CEE-A3C8-407755CE4686.jpeg</image:loc>
      <image:title>Photo Gallery - Verre Églomisé Tabletop</image:title>
      <image:caption>A custom regilded glass table top in 23k gold leaf. A tracing of the original floral design on the glass was drawn to create a photographic silk screen as the original glass painting needed to be removed since the original gilding that was applied over the top of the painting was oil gilded with brass leaf which had tarnished. The solvent required to remove the oil gilding would also interact with the oil painted floral motif on the glass and therefore could not be saved as there was no isolating layer between the two. Once the original paintIng was removed, a new design in the same white color was silk screened to the glass which was then glass gilded in 23k gold leaf with gelatin size and backed up with protective red enamel.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606429249079-A1CK11JGA0P5LXG5UWEM/image-asset.jpeg</image:loc>
      <image:title>Photo Gallery - Dutch Black with 23k Water Gilding</image:title>
      <image:caption>This Period frame profile has a 17c style Dutch Black Finish with a 23kt Water gilded frame Lip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606429519115-XBII1NJKSHXTIN7SHZBI/4A640253-7A59-4BC5-9FE0-548E1F76C936.jpeg</image:loc>
      <image:title>Photo Gallery - Oil Gilded Oxidized Silver</image:title>
      <image:caption>This frame corner sample was oil gilded with a black oxidized silver leaf from Japan. It has an unusual and beautiful gun-metal tone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1606429933189-K5MF6WE0DK8Q7JOJTLHZ/3397F515-9774-4221-BAA7-AE28B953A4CF.png</image:loc>
      <image:title>Photo Gallery - Water Gilded Hydrocal Cast Sculpture</image:title>
      <image:caption>This sculpture is made of a plaster-containing material called Hydrocal which I use in restoration work. Seeing the sensuousness in nature I made a silicone mould of a potato and casted this image in the hydrocal. I then used the traditional water gilding method to gild the image in 12k white gold leaf. I am working on a series of these objects which reflect an image of the nude human body from the form of a vegetable. Further gilded interpretations will be in 23k, Moon Gold, 6kt white gold, and Platinum leaf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1626684367647-1Z48IDGHGYWSCHELM5QX/3AAA063E-6C13-45F2-A368-2208589E0F1E.jpeg</image:loc>
      <image:title>Photo Gallery - Pastiglia…the Art of Raised Gesso</image:title>
      <image:caption>Online classes offered on this ancient gilding technique available through Charles Douglas Gilding Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/1629525135225-RBFHOIBWUUVC6NQBH369/IMG_1027.jpeg</image:loc>
      <image:title>Photo Gallery - Gilding the Buddha</image:title>
      <image:caption>A cast stone Buddha parcel gilded with 23k gold leaf using various mordants such as ilinocopia (garlic juice), gum ammoniac, propolis, and myrrh.</image:caption>
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      <image:title>Photo Gallery - Glass Gilding/Verre Églomisé class at the Isabel O’Neil Studio in New York during Spring Gilding Week April, 2022.</image:title>
      <image:caption>Students learning the ancient method of Glass Gilding often referred to as Verre Églomisé or Reverse Glass Gilding is a technique of applying gold leaf to glass using a gelatin size. The leaf can be painted on, rubbed away to reveal only certain gilded areas, or etched. It is an ancient Roman method revived by 18thc Designer Jean-Baptiste Glomy.</image:caption>
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    <lastmod>2026-02-10</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/water-gilding</loc>
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    <lastmod>2026-03-02</lastmod>
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      <image:title>A Gilder’s Journal - Water Gilding - Methods and Techniques of the Italian Renaissance</image:title>
      <image:caption>Prepare Your Own Size, Gesso, Bole, and Gild in Genuine 22k Gild Leaf!</image:caption>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/parcel-gilding</loc>
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    <lastmod>2025-07-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/fe5eaaeb-40e2-4227-9e24-9d8645159b7d/Copy+of+Copy+of+Copy+of+Parcel+Gilding+4.png</image:loc>
      <image:title>A Gilder’s Journal - Exploring the Technique of 15th-16th century Parcel-Gilding - Parcel-Gilding</image:title>
      <image:caption>An Online Gilding Class.</image:caption>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/gilding-classes-new-zealand</loc>
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    <lastmod>2025-07-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/c3fe48e7-50dc-41c8-9fc8-9b237c9115b2/IMG_5419.jpeg</image:loc>
      <image:title>A Gilder’s Journal - Aotearoa/New Zealand…Land of the Long White Cloud - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.gildingstudio.com/a-gilders-journal/black-frame</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-09-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/fe7a0365-f380-48a6-89d8-5d7afaf518ab/Black-Frame.jpeg</image:loc>
      <image:title>A Gilder’s Journal - The Antique Dutch Black Frame - From Rembrandt to Vermeer</image:title>
      <image:caption>The Classic 17th c Dutch Black Frame for Contemporary Works Of Art.</image:caption>
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  <url>
    <loc>https://www.gildingstudio.com/a-gilders-journal/sgraffito</loc>
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    <lastmod>2025-09-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/d27053ef-60c9-45a7-9cd8-f4eeeeb6c818/Untitled+design.jpeg</image:loc>
      <image:title>A Gilder’s Journal - Sgraffito - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/book-edge-gilding</loc>
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    <priority>0.5</priority>
    <lastmod>2022-08-24</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/gold-leaf-restoration</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/how-to-make-gesso</loc>
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    <priority>0.5</priority>
    <lastmod>2025-11-06</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/gilding-in-owen-sound</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-17</lastmod>
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      <image:title>A Gilder’s Journal - Gilding In Owen Sound - Remembering the Ontario Gilding Classes</image:title>
      <image:caption>Gold Leaf Restoration Gilding For Fine Artists Glass Gilding/Églomisé</image:caption>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/gilding-for-absolute-beginners</loc>
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    <lastmod>2025-11-17</lastmod>
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      <image:title>A Gilder’s Journal - Gilding For Absolute Beginners - A Day of Gilding for Beginners in new York City!</image:title>
      <image:caption>We All Need To Start Somewhere…</image:caption>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/gilding-for-works-of-art-blog</loc>
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    <lastmod>2025-11-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f65a993ae2f6a2cc5615a95/a8700ea7-8096-4a20-89cc-14a1f140e1bc/NY+Gilding+For+Works+of+Art+Oct.+2025.png</image:loc>
      <image:title>A Gilder’s Journal - Gilding For Works Of Art…A Study For Fine Artists - Gilding For Works of Art…A Study for Fine Artists</image:title>
      <image:caption>A One-Day Intensive In-Person Gilding Workshop, New York City, January 28, 2028</image:caption>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/verre-eglomise</loc>
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    <lastmod>2025-11-14</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/gilded-superyacht</loc>
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    <lastmod>2022-07-09</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/the-meniscus-gilding-blog</loc>
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    <lastmod>2022-06-06</lastmod>
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    <lastmod>2022-08-28</lastmod>
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    <loc>https://www.gildingstudio.com/a-gilders-journal/acrylic-emulsion</loc>
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    <lastmod>2022-07-12</lastmod>
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    <lastmod>2022-08-28</lastmod>
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    <lastmod>2022-07-12</lastmod>
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      <image:title>A Gilder’s Journal - Mordant Gilding: Oil Gilding and Water Based Mediums - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <lastmod>2022-07-12</lastmod>
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    <lastmod>2022-07-15</lastmod>
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